Wade Davis: The Wayfinders - Why Ancient Wisdom Matters In the Modern World

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KUBA DESIGNS FROM CENTRAL AFRICA - CONGO

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A Bakuba woman weaving a textile Kuba Textiles Kuba textiles are unique in the Democratic Republic of the Congo , formerly Zaire , for their elaboration and complexity of design and surface decoration. Most textiles are a variation on rectangular or square pieces of woven palm leaf fiber enhanced by geometric designs executed in linear embroidery and other stitches, which are cut to form pile surfaces resembling velvet. Women are responsible for transforming raffia cloth into various forms of textiles, including ceremonial skirts, ‘velvet’ tribute cloths, headdresses and basketry . Raffia Cloth In Kuba culture, men are responsible for raffia palm cultivation and the weaving of raffia cloth . Several types of raffia cloth are produced for different purposes, the most common form of which is a plain woven cloth that is used as the foundation for decorated textile production. Men produce the cloth on inclined, single-heddle looms and then use it to make their clothing and
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Mail & Guardian Online | South Africa

Jo'burg Art Fair Stirs Up Debate Celean Jacobson | Johannesburg, South Africa 14 March 2008 04:04 The first fair in Africa to focus on selling contemporary African art offers plenty of work reflecting the continent's war, disease and poverty: sculptures of guns with spikes; dark, bloody etchings; installations on the dangers of unprotected sex. Masks, fetishes and the odd protest poster from South Africa's resistance art movement also are on display. But so is art with more universal themes, such as a wistful sculpture of mother and child. Other work is irreverent, pop and cheeky. The kaleidoscope of images and themes is a fitting backdrop for the debate the Jo'burg Art Fair has sparked about what it means to be African and an artist. The fair also has the art world buzzing about tensions between art and commerce. "Whatever we call African art, I think the African artist exists," said Simon Njami, a Cameroon-born, Paris-based curator who spoke at Thursday&
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Contemporary Visual Art from Ghana

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Here is an article written by one of the most imaginative, talented artists; originally from Ghana, George Afedzi Hughes. Contemporary Visual Art from Ghana by George Afedzi Hughes Image by George Afedzi Hughes An Overview Museums and galleries all over the world regard traditional African art of high aesthetic value. A reputation ignited by the overwhelming influence African art had on modernist European artists at the beginning of the twentieth century. This impact and positive status of traditional African art has over decades resulted in laudable exhibitions, acquisition and documentation of such antiques. Nevertheless, not much favourable interest and documentation is offered most contemporary art of Africa. It is being criticized for being universal and failing to meet the stereotypical African art tradition. This is also the case for contemporary art in Ghana. Contemporary Art in Ghana The idea of grouping Ghanaian artists is an anomaly because of its complexity. The artistic cl
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