Unseen Art Scene (mirror)

Self Portrait by Francis Bacon 1974 Source: http://www.independent.co.uk/arts-entertainment/art/features/violence-loathing-beauty-pain-how-rembrandt-influenced-francis-bacon-2369493.html He brutally mutilated the old master's self-portraits – then endlessly echoed them. but just how influenced was Francis Bacon by Rembrandt? Charles Darwent explores a new exhibition that attempts to paint a clearer picture By Charles Darwent Sunday, 16 October 2011 In June 1962, the American photographer Irving Penn shot a series of portraits of Francis Bacon at the latter's studio in Reece Mews, London. One (previous page) sticks particularly in the mind. It is of Bacon standing in front of a wall which he has covered, typically, with pages torn from books and magazines. Peering down over the artist's shoulder is one of these, the crumpled image of an old man. It is Rembrandt, painted by himself, in the famous Self-Portrait with Beret now at the Musée Granet in Aix-en-Provence. Self-Portra

Modern African Writers Hello Fellow Readers, This is an introduction to the African Library. My name is Joe Pollitt and I would like to start to put together a series of published works found on the Internet by African Writers or about the issues surrounding Africa. The main source of information will be coming through the Amazon website with a brief editorial and information about the artist and their lives. Initially, I am starting off with a list of over 800 writers from Africa and this blog would like to explore as many as possible and maybe more. What could be more exciting is the development of artists and writers who self-publish from Blurb | www.blurb.com and create a continually developing library with artists and writers who are keen to contribute to the educational development from all corners of Africa. All the artists will be labelled in the appropriate African countries from Algeria to Zimbabwe - there is a small tag feature at the bottom of the posts. Click if inter

(Here is something rather off subject but an article I wrote about for a Chinese gallery - OtherGallery, Beijing)  Since the beginning of this millennium, the world has been exposed to modern China through the eyes of a select few from the media arena. Resolute to infect and dilute the potency of the artistic dragons of China, the U.S and UK art worlds have purposefully created their own brand of Eastern promise by trying to create the fetishism akin to the Saatchi version of “Oriental Sensationalism.” In dong so, they have ostensibly set about with such extraordinary determination to undermine and align Chinese artists with the likes of Andy Warhol, Keith Haring and the demon, Damien Hirst. Crushing any notion of true intelligence and strongly endorsing mediocrity and celebrity over raw acumen,  they are demanding and increasingly supporting, creating and promoting mindless Pokemon sex stars whilst constantly ordering posters of Red Flags, hammers and sickles along with More, More, Ma

Date:  14 October 2011 Time:  10:30 AM Finishes:   10 December 2011 Time:  5:00 PM Venue:  Brunei Gallery Room:  Brunei Gallery Exhibition Rooms Type of Event:  Exhibition The Sirwa is situated at the junction of the High Atlas and the Anti Atlas mountain ranges in Morocco. The Berber weavers of the Sirwa are renowned for their wide range of textiles and their technical knowledge and artistry. In addition to embroidery and sprang (an ancient precursor of knitting), female Sirwa weavers master several weaving techniques: tapestry weaving, twinning, brocading and knotting, which they use individually or in combination. Since the 1980s weaving production has intensified, this activity occupying most of the households in the region and constituting a major livelihood option complementing subsistence agriculture. The central piece of the exhibition will be a special 19th century cloak, the akhnif, (loaned by the British Museum) a garment unique to Morocco that has inspired the production of

2010 and 2011 mark the 50th anniversary of the independence of 22 African countries.To commemorate this anniversary and to mark the occasion of the third EU-Africa Summit, the European Commission and the Palais des Beaux Arts (Centre for Fine Arts),in collaboration with the African Union, is launching a multi-disciplinary and itinerant cultural project: “Visionary Africa: Art at Work”. This initiative is the extension and the development in Africa of the “Visionary Africa” festival held in Brussels (Summer 2000). African Installations - 3D View This project focuses on the importance of culture and creativity as development tools and is directly in line with the Brussels Declaration by Artists and Cultural Professionals. It includes an itinerant urban exhibition of contemporary African artistic practices, artists’ residencies and workshops. The exhibition will be previewed in conjunction with the European Union-Africa Summit in Syrte/Tripoli (Libya, November 29, 2010). It will then begi