PIETER HUGO | SOUTH AFRICA


Pieter Hugo's #NOLLYWOOD - The Devil is a Liar
Photo: Pieter Hugo's #NOLLYWOOD - The Devil is a Liar

Comments

Post a Comment

Popular posts from this blog

KUBA DESIGNS FROM CENTRAL AFRICA - CONGO

Image
A Bakuba woman weaving a textile Kuba Textiles Kuba textiles are unique in the Democratic Republic of the Congo , formerly Zaire , for their elaboration and complexity of design and surface decoration. Most textiles are a variation on rectangular or square pieces of woven palm leaf fiber enhanced by geometric designs executed in linear embroidery and other stitches, which are cut to form pile surfaces resembling velvet. Women are responsible for transforming raffia cloth into various forms of textiles, including ceremonial skirts, ‘velvet’ tribute cloths, headdresses and basketry . Raffia Cloth In Kuba culture, men are responsible for raffia palm cultivation and the weaving of raffia cloth . Several types of raffia cloth are produced for different purposes, the most common form of which is a plain woven cloth that is used as the foundation for decorated textile production. Men produce the cloth on inclined, single-heddle looms and then use it to make their clothing and
Read more

Mail & Guardian Online | South Africa

Jo'burg Art Fair Stirs Up Debate Celean Jacobson | Johannesburg, South Africa 14 March 2008 04:04 The first fair in Africa to focus on selling contemporary African art offers plenty of work reflecting the continent's war, disease and poverty: sculptures of guns with spikes; dark, bloody etchings; installations on the dangers of unprotected sex. Masks, fetishes and the odd protest poster from South Africa's resistance art movement also are on display. But so is art with more universal themes, such as a wistful sculpture of mother and child. Other work is irreverent, pop and cheeky. The kaleidoscope of images and themes is a fitting backdrop for the debate the Jo'burg Art Fair has sparked about what it means to be African and an artist. The fair also has the art world buzzing about tensions between art and commerce. "Whatever we call African art, I think the African artist exists," said Simon Njami, a Cameroon-born, Paris-based curator who spoke at Thursday&
Read more

Talking Culture with Serge Clottey

Image
Talking Culture with Serge Attukwei Clottey  written by Keilah Wells photos by Regual Tschumi   April 2016 Talking Culture with Serge Attukwei Clottey  written by Keilah Wells photos by Regual Tschumi   April 2016 Today begins an ongoing debate about life in Ghana, the first country on the Continent to gain Independence, back in 1957. Spearheaded by the artist, Serge Clottey, along with an entourage of fellow artists from Labadi, Nima and elsewhere in Accra, Gallery 1957 is opening its doors to the public at the Kempinski Hotel Gold Coast City. The aim of the project is to pioneer new ways of seeing Art and the purpose of culture to any society.   Unlike the previous generations of Post Colonial artists from Africa, those that were given scholarships and awards to educate themselves in various European art colleges like the Slade, the Royal Academy, the International Art College or Ecole Beaux Art Superiore in Paris, we are now beginning to see a change like never before. The arti
Read more