Vasco Manhiça’s Point of View | Mozambique
The Process of Seeing: Vasco Manhiça’s Point of View By: Erin M. Rice 21.7.2015 Vasco Manhiça’s newest body of work is a product of two formative years since his last show in Maputo in 2013. After a brief return to Germany, in 2014 he attended a residency program in Dakar called Àsìkò (run by the Centre for Contemporary Art, Lagos), which had a profound impact on his approach to art as an instrument of social critique. Informed and inspired by the politically and critically charged practices of the faculty that ran the Asiko program, Manhiça turned his practice in late 2014 away from painting to an extended period of intense reading and exploration of the theorizations of Africanity and postcoloniality as they relate to the art world. Early in 2015, Manhiça moved to Berlin, arguably Europe’s center for contemporary art. He connected with a network of artists, several of whom also come from Mozambique, and found amongst his contemporaries another rich source of influence and inspiratio...